catybird

martinekenblog:

Hoang Tran is a California native artist who carves incredibly detailed figurines in crayons.

asylum-art:

Emily Blincoe: Color-coded photography

We’ve already featured talented Austin-based photographer Emily Blincoe a couple of times on iGNANT. Her output is amazingly creative and never fails to make us smile. Emily is probably best known for her color-coded arrangements.

For her latest works she collected color permutation of tomatoes, oranges, eggs, ice cream and leaves and sorted them into groups and gradients for each image

asylum-art:

Faded Elegance: Photographs of Havana by Michael Eastman

Presented by Tampa Museum of Art at Tampa Museum of Art

Faded Elegance: Photographs of Havana by Michael Eastman consists of twenty-nine, 6 x 7 1/2 ft. photographs taken by the artist in 2014. Eastman explores Havana’s changing cultural landscape in his images of the city’s architecture and lush,  by the effects of time. His large-scale photographs evoke the nostalgia and wealth of a bygone era, while shedding light on the harsh economic realities faced..

piccon:

by suda

asylum-art:

Hyperrealistic Portraits Using Acrylic Paint by  JW-Jeong

(Joongwon Charles Jeong) on deviantART

Joongwon (Charles) Jeong is a hyperrealist painter from South Korea. A freelance artist and illustrator, Jeong studied Visual Communication Design at the Hongik University of Fine Art & Design in Seoul.

Jeong’s preferred medium is acrylic on canvas which he says is so versatile and its effect ranges from “thick, oil-like texture to watercolour splashes.”

With solo and group exhibitions in Seoul, Jeong is also quite popular online, especially on deviantART and Facebook where you can see much more of his incredible work.

Jeong lists his favourite artists as: Michleangelo, Titian, Holbein, Norman Rockwell, Sebastian Kruger, James Gurney, and Drew Struzan

fuckyeahillustrativeart:

kirstenrothbart:

Ain’t Goin’ Nowhere
© 2014, Kirsten Rothbart

fuckyeahillustrativeart:

kirstenrothbart:

Ain’t Goin’ Nowhere

© 2014, Kirsten Rothbart

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